{"id":6146,"date":"2024-02-13T10:01:44","date_gmt":"2024-02-13T10:01:44","guid":{"rendered":"https:\/\/muzeulgolesti.ro\/ro\/?p=6146"},"modified":"2024-02-13T11:11:25","modified_gmt":"2024-02-13T11:11:25","slug":"12-februarie-1862-12-februarie-2024","status":"publish","type":"post","link":"https:\/\/muzeulgolesti.ro\/ro\/stiri\/12-februarie-1862-12-februarie-2024\/","title":{"rendered":"12 februarie 1862-12 februarie 2024, 162 de ani de la na\u0219terea lui Alexandru Davila"},"content":{"rendered":"

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Muzeul Viticulturii \u015fi Pomiculturii Gole\u015fti \u0219i Teatrul Alexandru Davila au organizat, ieri, 12 februarie 2024, un simpozion \u00een cadrul c\u0103ruia a fost evocat\u0103 personalitatea dramaturgului Alexandru Davila, de la a c\u0103rui na\u0219tere s-au \u00eemplinit 162 de ani.<\/p>\n

La eveniment au participat Iustin Dejanu, managerul Muzeului Viticulturii \u0219i Pomiculturii Gole\u0219ti, Cristina Bo\u021boghin\u0103, \u0219ef al Sec\u021biei de Istorie \u0219i Pedagogie din cadrul Muzeului Gole\u0219ti, Camelia C\u0103lin, cercet\u0103tor \u0219tiin\u021bific \u00een cadrul aceleia\u0219i institu\u021bii de cultur\u0103, elevi de la \u0218coala Militar\u0103 de Mai\u0219tri \u0219i Subofi\u021beri a For\u021belor Terestre ,,Basarab I\u201d din Pite\u0219ti, \u00eenso\u021bi\u021bi de Marian Burcea, plutonier adjutant principal \u0219i dna Carmen Bobi\u021boiu, precum \u0219i de dna Eugenia Zgreab\u0103n, profesor de limba \u0219i literatura rom\u00e2n\u0103, la Colegiul Na\u021bional \u201eZinca Golescu\u201d.<\/p>\n

\"\"<\/p>\n

Cristina Bo\u021boghin\u0103 \u0219i Camelia C\u0103lin au prezentat cele mai importante repere ale vie\u021bii \u0219i operei cunoscutului dramaturg \u0219i director al Teatrului Na\u021bional.<\/p>\n

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Fiul doctorului Carol Davila \u0219i al Anei Davila, nepoata lui Dinicu Golescu, Alexandru s-a n\u0103scut la Gole\u0219ti, \u00eentr-o zi de 12 februarie 1862. A copil\u0103rit la mo\u0219ia str\u0103mo\u0219ilor s\u0103i, unde a \u0219i debutat educa\u021bia sa, \u00een \u0219coala comunal\u0103. Formarea lui ca om de onoare, cu o vast\u0103 cultur\u0103 a fost supravegheat\u0103 strict de p\u0103rin\u021bi. Carol Davila insista ca fiul s\u0103u s\u0103 fie con\u0219tiincios, disciplinat, bine instruit c\u0103ci educa\u021bia era singura avere sigur\u0103 \u0219i solid\u0103 pe care o putea l\u0103sa mo\u0219tenire copiilor s\u0103i.<\/p>\n

Al. Davila a continuat s\u0103 studieze la \u0218coala luteran\u0103 din Bucure\u0219ti, apoi la internatul lui V. A. Urechia, epoc\u0103 fericit\u0103 despre care Al. Davila \u00ee\u0219i amintea c\u0103: \u201eEram acolo 12-14 \u015fcolari, iar cei mai buni profesori\u2026 ne predau cursurile, cu o \u00een\u0163elegere \u015fi o dragoste\u2026 care ne f\u0103ceau s\u0103-i ador\u0103m\u201d.<\/p>\n

\u00centre 1875 \u0219i 1881 studiat la Paris, la Liceul Saint Louis. A fost coleg cu Take Ionescu, Nicu Xenopol, N. Filipescu, Vasile Mor\u0163un, dr. I. Cantacuzino, Jacques de Ferandy, Georges Feideau. Cu ace\u015ftia, Davila a frecventat teatrele pariziene, c\u0103p\u0103t\u00e2nd bogate cuno\u015ftin\u0163e \u00een domeniu. \u00centors acas\u0103 a fost numit \u00a0va fi o perioad\u0103 scurt\u0103 diplomat \u0219i func\u021bionar public, calit\u0103\u021bi la care prefer\u0103 s\u0103 renun\u021be \u00een favoarea unei activit\u0103\u021bi artistice: public\u0103 poeme, proz\u0103, piese \u0219i cronic\u0103 de teatru, a editat reviste etc.<\/p>\n

\"\"<\/p>\n

La 29 ianuarie 1905, ministrul Take Ionescu a semnat decretul de numire a lui Alexandru Davila \u00een func\u021bia de director al Teatrului Na\u021bional din Bucure\u0219ti. A fost un reformator profund al repertoriului \u0219i al organiz\u0103rii teatrului rom\u00e2nesc. El s-a aflat de dou\u0103 ori \u00een postura de director general al Teatrului Na\u021bional din Bucure\u0219ti. \u00centre anii 1905-1908 \u0219i 1912-1914. \u00cen aceast\u0103 calitate a luat o serie m\u0103suri pentru \u00eent\u0103rirea disciplinei \u00een teatru, a ordinii, a acordat aten\u021bie repertoriului rom\u00e2nesc, dramaturgiei rom\u00e2ne\u0219ti, dispun\u00e2nd ca fiecare stagiune a Teatrului Na\u021bional s\u0103 fie deschis\u0103 cu o pies\u0103 rom\u00e2neasc\u0103. A luat m\u0103suri pentru salarizarea actorilor pe tot timpul anului, atr\u0103g\u00e2ndu-\u0219i \u00een acest fel simpatia acestora. \u00cen perioada c\u00e2t a fost director a crescut prestigiul Teatrului Na\u021bional, sus\u021bin\u00e2nd peste 250 de reprezenta\u021bii \u0219i m\u0103rind de trei ori bugetul teatrului.<\/p>\n

Alexandru Davila a decedat pe 19 octombrie 1929, la Bucure\u0219ti, l\u0103s\u00e2nd posterit\u0103\u021bii o capodoper\u0103, piesa Vlaicu Vod\u0103<\/em>, precum \u0219i reform\u0103 institu\u021bional\u0103 a teatrului, al\u0103turi de \u00eemprosp\u0103tarea tehnicilor interpretative \u0219i regizorale.<\/p>\n

\"\"<\/p>\n

\"\"<\/p>\n

Piesa Vlaicu Vod\u0103<\/em> a avut premiera \u00een seara de 12 februarie 1902, c\u00e2nd autorul ei, Alexandru Davila, \u00eemplinea 40 de ani \u0219i se afla la apogeul puterii sale de crea\u021bie. Prima punere \u00een scen\u0103 i-a avut \u00een rolurile principale pe C. I. Nottara (Vlaicu Vod\u0103) \u0219i Agatha B\u00e2rsescu (Doamna Clara). \u00a0Au urmat apoi nume mari care au dat via\u021b\u0103 personajelor imaginate de Davila.<\/p>\n

\u00cen 1913, Aristide \u0219i Constan\u021ba Demetriade au fost distribui\u021bi \u00een pies\u0103, apoi, \u00een 1925, c\u00e2nd piesa \u00eenregistra 100 de reprezenta\u021bii, George Calboreanu \u00eel \u00eentruchipa pe domnitor. \u00cen perioada comunist\u0103, piesa a fost pus\u0103 \u00een scen\u0103, ecranizat\u0103 \u0219i \u00eenregistrat\u0103 pentru teatru radiofonic. George Vraca, Aurel Rogalski, George Motoi, Ion Pavelescu \u0219.a. au dat via\u021b\u0103 domnitorului care, a fost nevoit s\u0103-\u0219i apere \u021bara \u00eentr-un context istoric nefavorabil, a\u0219a cum a fost a doua jum\u0103tate a secolului al XIV-lea, c\u00e2nd expansionismul militar, politic \u0219i religios al Regatului maghiar a fost o amenin\u021bare grav\u0103 la adresa statalit\u0103\u021bii rom\u00e2ne\u0219ti de la sud de Carpa\u021bi.<\/p>\n

Vlaicu Vod\u0103 <\/em>\u00a0este o capodoper\u0103 a dramaturgiei noastre, care, pe l\u00e2ng\u0103 aspectele istorice din care s-a inspirat, vorbe\u0219te tuturor genera\u021biilor despre probleme general umane: \u00eencredere, tr\u0103dare, dragoste, datorie, alegeri \u0219i decizii care, \u00een mai mare sau mai mic\u0103 m\u0103sur\u0103, au fost sau sunt pietre de \u00eencercare \u00een destinele oamenilor.<\/p>\n","protected":false},"excerpt":{"rendered":"

Muzeul Viticulturii \u015fi Pomiculturii Gole\u015fti \u0219i Teatrul Alexandru Davila au organizat, ieri, 12 februarie 2024, un simpozion \u00een cadrul c\u0103ruia a fost evocat\u0103 personalitatea dramaturgului Alexandru Davila, de la a […]<\/p>\n","protected":false},"author":5,"featured_media":6167,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[54],"tags":[],"class_list":["post-6146","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-stiri"],"yoast_head":"\n12 februarie 1862-12 februarie 2024, 162 de ani de la na\u0219terea lui Alexandru Davila<\/title>\n<meta name=\"description\" content=\"12 februarie 1862-12 februarie 2024, 162 de ani de la na\u0219terea lui Alexandru Davila\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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